Studio Notes: Day 4
I come in to the studio early morning. The walk here from the Upper East Side was magic. There are several housing projects I pass by on my way; their expansive grass lawns have so much exotic, weedy growth. Worlds within worlds.
I have a puzzle to solve today: how to color the 3 figures in my Miami Beach panorama. I think of George Condo’s painting at the Met (“Rush Hour”): Cubist, a lot of white with flashes of pastel
I attack the painting with wet, sploshes of color, trying to keep palette muted and pastel. It is turning out more coloring-book, naïve and less dynamic or Cubist. It is, however, DIFFERENT.
Still trying to think less and avoid thoughts from outside sources—in other words, verbal thoughts. Rather, I want to go based on feel. Even if I work with phrases or concepts, “Cubist”, “Naïve”, “muted” etc., I carry them through feeling rather than practical thought.